Clive Barker
Imajica 1
  
  
  
  
  1
  
  IT WAS THE PIVOTAL TEACHING of Pluthero Quexos, the most celebrated dramatist of the 
Second Dominion, that in any fiction, no matter how ambitious its scope or profound its 
theme, there was only ever room for three players. Between warring kings, a peacemaker; 
between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. 
Between lovers, Death. Greater numbers might drift through the drama, of course-thousands 
in fact-but they could only ever be phantoms, agents, or, on rare occasions, reflections 
of the three real and self-willed beings who stood at the center. And even this essential 
trio would not remain intact; or so he taught. It would steadily diminish as the story 
unfolded, three becoming two, two becoming one, until the stage was left deserted.
  Needless to say, this dogma did not go unchallenged. The writers of fables and comedies 
were particularly vociferous in their scorn, reminding the worthy Quexos that they 
invariably ended their own tales with a marriage and a feast. He was unrepentant. He 
dubbed them cheats and told them they were swindling their audiences out of what he 
called the last great procession, when, after the wedding songs had been sung and the 
dances danced, the characters took their melancholy way off into darkness, following each 
other into oblivion.
  It was a hard philosophy, but he claimed it was both immutable and universal, as true 
in the Fifth Dominion, called Earth, as it was in the Second.
  And more significantly, as certain in life as it was in art.
  Being a man of contained emotion, Charlie Estabrook had little patience with the 
theater. It was, in his bluntly stated opinion, a waste of breath: indulgence, flummery, 
lies. But had some student recited Quexos' First Law of Drama to him this cold November 
night he would have nodded grimly and said: Ail true, all true. It was his experience 
precisely. Just as Quexos1 Law required, his story had begun with a trio: himself, John 
Furie Zacharias, and, between them, Judith. That arrangement hadn't lasted very long. 
Within a few weeks of setting eyes on Judith he had managed to supersede Zacharias in her 
affections, and the three had dwindled to a blissful two. He and Judith had married and 
lived happily for five years, until, for reasons he still didn't understand, their joy 
had foundered, and the two had become one.
  He was that one, of course, and the night found him sitting in the back of a purring 
car being driven around the frosty streets of London in search of somebody to help him 
finish the story. Not, perhaps, in a fashion Quexos would have approved of-the stage 
would not be left entirely empty-but one which would salve Estabrook's hurt.
  He wasn't alone in his search. He had the company of one half-trusted soul tonight: his 
driver, guide, and procurer, the ambiguous Mr. Chant. But despite Chant's shows of 
empathy, he was still just another servant, content to attend upon his master as long as 
he was promptly paid. He didn't understand the profundity of Estabrook's pain; he was too 
chilly, too remote. Nor, for all the length of his family history, could Estabrook turn 
to his lineage for comfort. Although he could trace his ancestors back to the reign of 
James the First, he had not been able to find a single man on that tree of 
immoralities-even to the bloodiest root-who had caused, either by his hand or hiring, 
what he, Estabrook, was out this midnight to contrive: the murder of his wife.
  When he thought of her (when didn't he?) his mouth was dry arid his palms were wet; he 
sighed; he shook. She was in his mind's eye now, like a fugitive from some more perfect 
place. Her skin was flawless and always cool, always pale; her body was long, like her 
hair, like her fingers, like her laughter; and her eyes, oh, her eyes, had every season 
of leaf in them: the twin greens of spring and high summer, the golds of autumn, and, in 
her rages, black midwinter rot.
  He was, by contrast, a plain man: well scrubbed but plain. He'd made his fortune 
selling baths, bidets and toilets, which lent him little by way of mystique. So, when 
he'd first laid eyes on Judith-she'd been sitting behind a desk at his accountant's 
office, her beauty all the more luminous for its drab setting-his first thought was: I 
want this woman; his second: She won't want me. There was, however, an instinct in him 
when it came to Judith that he'd never experienced with any other woman. Quite simply, he 
felt she belonged to him, and that if he turned his wit to it, he could win her.
  His courtship had begun the day they'd met, with the first of many small tokens of 
affection delivered to her desk. But he sooned learned that such bribes and blandishments 
would not help his case. She politely thanked him but told him they weren't welcome. He 
dutifully ceased to send presents and, instead, began a systematic investigation of her 
circumstances. There was precious little to learn. She lived simply, her small circle 
vaguely bohemian. But among that circle he discovered a man whose claim upon her preceded 
his own, and to whom she was apparently devoted. That man was John Furie Zacharias, known 
universally as Gentle, and he had a reputation as a lover that would have driven 
Estabrook from the field had that strange certainty not been upon him. He decided to be 
patient and await his moment. It would come.
  Meanwhile he watched his beloved from afar, conspiring to encounter her accidentally 
now and again, and researching his antagonist's history. Again, there was little to 
learn. Zacharias was a minor painter, when he wasn't living off his mistresses, and 
reputedly a dissolute. Of this Estabrook had perfect proof when, by chance, he met the 
fellow. Gentle was as handsome as his legends suggested, but looked, Charlie thought, 
like a man just risen from a fever. There was something raw about him-his body sweated to 
its essence, his face betraying a hunger behind its symmetry-that lent him a bedeviled 
look.
  Half a week after that encounter, Charlie had heard that his beloved had parted from 
the man with great grief and was in need of tender care. He'd been quick to supply it, 
and she'd come into the comfort of his devotion with an ease that suggested his dreams of 
possession had been well founded.
  His memories of that triumph had, of course, been soured by her departure, and now it 
was he who wore the hungry, yearning look he'd first seen on Furie's face. It suited him 
less well than it had Zacharias. His was not a head made for haunting. At fifty-six, he 
looked sixty or more, his features as solid as Gentle's were spare, as pragmatic as 
Gentle's were rarefied. His only concession to vanity was the delicately curled mustache 
beneath his patrician nose, which concealed an upper lip he'd thought dubiously ripe in 
his youth, leaving the lower to jut in lieu of a chin.
  Now, as he rode through the darkened streets, he caught sight of that face in the 
window and perused it ruefully. What a mockery he was! He blushed to think of how 
shamelessly he'd paraded himself when he'd had Judith on his arm; how he'd joked that she 
loved him for his cleanliness, and for his taste in bidets. The same people who'd 
listened to those jokes were laughing in earnest now, were calling him ridiculous. It was 
unbearable. The only way he knew to heal the pain of his humiliation was to punish her 
for the crime of leaving him.