witch took off the cover.  A moment was allowed for the first
thrill to subside, then Hugo, the villain, stalked in with a
clanking sword at his side, a slouching hat, black beard, mys-
terious cloak, and the boots.  After pacing to and fro in much 
agitation, he struck his forehead, and burst out in a wild
strain, singing of his hatred to Roderigo, his love for Zara,
and his pleasing resolution to kill the one and win the other.
The gruff tones of Hugo's voice, with an occasional shout when
his feelings overcame him, were very impressive, and the audience
applauded the moment he paused for breath.  bowing with the air
of one accustomed to public praise, he stole to the cavern and
ordered Hagar to come forth with a commanding, "What ho, minion!
I need thee!"

     Out came Meg, with gray horsehair hanging about her face,
a red and black robe, a staff, and cabalistic signs upon her
cloak.  Hugo demanded a potion to make Zara adore him, and one 
destroy Roderigo.  Hagar, in a fine dramatic melody, promised
both, and proceeded to call up the spirit who would bring the
love philter.

               Hither, hither,from thy home,
               Airy sprite, I bid thee come!
               Born of roses, fed on dew,
               Charms and potions canst thou brew?
               Bring me here, with elfin speed,
               The fragrant philter which I need.
               Make it sweet and swift and strong,
               Spirit, answer now my song!

     A soft strain of music sounded, and then at the back of the
cave appeared a little figure in cloudy white, with glittering
wings, golden hair, and a garland of roses on its head.  Waving
a wand, it sang . . .

               Hither I come,
               From my airy home,
               Afar in the silver moon.
               Take the magic spell,
               And use it well, 
               Or its power will vanish soon!

     And dropping a small, gilded bottle at the witch's feet, the
spirit vanished.  Another chant from Hagar produced another apparition,
not a lovely one, for with a bang an ugly black imp appeared and,
having croaked a reply, tossed a dark bottle at Hugo and disappeared
with a mocking laugh.  Having warbled his thanks and put the potions
in his boots, Hugo departed, and Hagar informed the audience that
as he had killed a few of her friends in times past, she had cursed
him, and intends to thwart his plans, and be revenged on him.  Then
the curtain fell, and the audience reposed and ate candy while dis-
cussing the merits of the play.

     A good deal of hammering went on before the curtain rose again,
but when it became evident what a masterpiece of stage carpentery
had been got up, no one murmured at the delay. It was truly superb.
A tower rose to the ceiling, halfway up appeared a window with a 
lamp burning in it, and behind the white curtain appeared Zara in
a lovely blue and silver dress, waiting for Roderigo.  He came in
gorgeous array, with plumed cap, red cloak, chestnut lovelocks, a
guitar, and the boots, of course.  Kneeling at the foot of the tower,
he sang a serenade in melting tones.  Zara replied and, after a 
musical dialogue, consented to fly.  Then came the grand effect of
the play.  Roderigo produced a rope ladder, with five steps to it,
threw up one end, and invited Zara to descend.  Timidly she crept
from her lattice, put her hand on Roderigo's shoulder, and was
about to leap gracfully down when "Alas!  Alas for Zara!" she 
forgot her train.  It caught in the window, the tower tottered,
leaned forward, fell with a crash, and buried the unhappy lovers
in the ruins.

     A universal shriek arose as the russet boots waved wildly
from the wreck and a golden head emerged, exclaiming, "I told you
so!  I told you so!" With wonderful presence of mind, Don Pedro,
the cruel sire, rushed in, dragged out his daughter, with a hasty
aside . . .

     "Don't laugh!  Act as if it was all right!"  and, ordering
Roderigo up, banished him form the kingdom with wrath and scorn.
Though decidedly shaken by the fall from the tower upon him, 
Roderigo defied the old gentleman and refused to stir.  This
dauntless example fired Zara.  She also defied her sire, and he
ordered them both to the deepest dungeons of the castle.  A stout
little retainer came in with chains and led them away, looking very
much frightened and evidently forgetting the speech he ought to 
have made.

     Act third was the castle hall, and here Hagar appeared, having
come to free the lovers and finish Hugo.  She hears him coming and 
hides, sees him put the potions into two cups of wine and bid the
the timid little servant, "Bear them to the captives in their cells,
and tell them I shall come anon."  The servant takes Hugo aside to
tell him something, and Hagar changes the cups for two others which
are harmless.  Ferdinando, the `minion', carries them away, and
Hagar puts back the cup which holds the poison meant for Roderigo.
Hugo, getting thirsty after a long warble, drinks it, loses his wits,
and after a good deal of clutching and stamping, falls flat and dies,
while Hagar informs him what she has done in a song of exquisite
power and melody.