1903

                                WAY OF ALL FLESH

                                by Samuel Butler

  CHAPTER I

  WHEN I was a small boy at the beginning of the century I remember an
old man who wore knee-breeches and worsted stockings, and who used
to hobble about the street of our village with the help of a stick. He
must have been getting on for eighty in the year 1807, earlier than
which date I suppose I can hardly remember him, for I was born in
1802. A few white locks hung about his ears, his shoulders were bent
and his knees feeble, but he was still hale, and was much respected in
our little world of Paleham. His name was Pontifex.

  His wife was said to be his master; I have been told she brought him
a little money, but it cannot have been much. She was a tall,
square-shouldered person (I have heard my father call her a Gothic
woman) who had insisted on being married to Mr. Pontifex when he was
young and too good-natured to say nay to any woman who wooed him.
The pair had lived not unhappily together, for Mr. Pontifex's temper
was easy and he soon learned to bow before his wife's more stormy
moods.

  Mr. Pontifex was a carpenter by trade; he was also at one time
parish clerk; when I remember him, however, he had so far risen in
life as to be no longer compelled to work with his own hands. In his
earlier days he had taught himself to draw. I do not say he drew well,
but it was surprising he should draw as well as he did. My father, who
took the living of Paleham about the year 1797, became possessed of
a good many of old Mr. Pontifex's drawings, which were always of local
subjects, and so unaffectedly painstaking that they might have
passed for the work of some good early master. I remember them as
hanging up framed and glazed in the study at the Rectory, and
tinted, as all else in the room was tinted, with the green reflected
from the fringe of ivy leaves that grew around the windows. I wonder
how they will actually cease and come to an end as drawings, and
into what new phases of being they will then enter.

  Not content with being an artist, Mr. Pontifex must needs also be
a musician. He built the organ in the church with his own hands, and
made a smaller one which he kept in his own house. He could play as
much as he could draw, not very well according to professional
standards, but much better than could have been expected. I myself
showed a taste for music at an early age, and old Mr. Pontifex on
finding it out, as he soon did, became partial to me in consequence.

  It may be thought that with so many irons in the fire he could
hardly be a very thriving man, but this was not the case. His father
had been a day labourer, and he had himself begun life with no other
capital than his good sense and good constitution; now, however, there
was a goodly show of timber about his yard, and a look of solid
comfort over his whole establishment. Towards the close of the
eighteenth century and not long before my father came to Paleham, he
had taken a farm of about ninety acres, thus making a considerable
rise in life. Along with the farm there went an old-fashioned but
comfortable house with a charming garden and an orchard. The
carpenter's business was now carried on in one of the outhouses that
had once been part of some conventual buildings, the remains of
which could be seen in what was called the Abbey Close. The house
itself, emblossomed in honeysuckles and creeping roses, was an
ornament to the whole village, nor were its internal arrangements less
exemplary than its outside was ornamental. Report said that Mrs.
Pontifex starched the sheets for her best bed, and I can well
believe it.

  How well do I remember her parlour half filled with the organ
which her husband had built, and scented with a withered apple or
two from the pyrus japonica that grew outside the house; the picture
of the prize ox over the chimney-piece, which Mr. Pontifex himself had
painted; the transparency of the man coming to show light to a coach
upon a snowy night, also by Mr. Pontifex; the by Mr. Pontifex; the
little old man and a little old woman who told the weather; the
china shepherd and shepherdess; the jars of feathery flowering grasses
with a peacock's feather or two among them to set them off, and the
china bowls full of dead rose leaves dried with bay salt. All has long
since vanished and become a memory, faded but still fragrant to
myself.

  Nay, but her kitchen- and the glimpses into a cavernous cellar
beyond it, wherefrom came gleams from the pale surfaces of milk
cans, or it may be of the arms and face of a milkmaid skimming the
cream; or again her storeroom, where among other treasures she kept
the famous lipsalve which was one of her especial glories, and of
which she would present a shape yearly to those whom she delighted
to honour. She wrote out the recipe for this and gave it to my
mother a year or two before she died, but we could never make it as
she did. When we were children she used sometimes to send her respects
to my mother, and ask leave for us to come and take tea with her.
Right well she used to ply us. As for her temper, we never met such
a delightful old lady in our lives; whatever Mr. Pontifex may have had
to put up with, we had no cause for complaint, and then Mr. Pontifex
would play to us upon the organ, and we would stand round him
open-mouthed and think him the most wonderfully clever man that ever
was born, except of course our papa.

  Mrs. Pontifex had no sense of humour, at least I can call to mind no
signs of this, but her husband had plenty of full in him, though few